Download Biggles: The Camels Are Coming by W. E. Johns PDF

By W. E. Johns

The Camel closed up till it was once flying beside him; the pilot smiling. Biggles confirmed his the teeth in what he speculated to be an answering smile. 'You swine,' he breathed: 'you soiled, unutterable, murdering swine! I'm going to kill you if it's the very last thing I do on earth.' Set within the final years of the 1st international battle air strive against has now turn into the order of the day and air duelling is a very good artwork. Biggles and his fellow pilots now need to cope with the enemy utilizing their very own British airplane, a Sopwith Camel, to entice the British pilots to their deaths...

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Speed Bumps and Rhythmic Phrases A composition traveling along at a set meter and tempo can get boring or even exhausting after awhile. That’s another reason why it’s a good idea to break up the rhythmic landscape with a few bumps along the way — to keep things interesting or keep your listener awake. Beethoven’s “Ode to Joy” offers a familiar example of varying the rhythmic landscape in order to throw things off a little bit (Figure 4-3). Ode to Joy # & 44 œ œ œ œ 1 Figure 4-3: Beethoven’s “Ode to Joy” clips along regularly until you get to the end of the twelfth measure.

Bear with us for one more example as we now syncopate the original melody (Figure 4-10). Chapter 4: Rhythm and Mood Figure 4-10: “Shave and a Haircut” — syncopated and front phrased. 4 & 4 ‰ Jœ œ œ œ bœ œ œ œ ‰ œ ‰ œJ J Œ Syncopation Notice in Figure 4-10 how the “syllabic emphasis” is not where the strong natural beats are. Syncopation is basically about putting the emphasis on the wrong syllable. That doesn’t mean it’s “wrong,” though. Syncopation just makes things a bit different, surprising, and spicy.

It could be anything from the rhythm of a washing machine to the sound of your breathing or heartbeat. Maybe your engine makes an interesting Chapter 4: Rhythm and Mood rhythm when it starts in the morning. Maybe your dog barks in a rhythmic pattern. Maybe someone is hammering down the street or your door or mailbox makes a rhythmic creaking noise. Whatever it is, if it has rhythm, you can use it in your composition. 2. Notice the tempo of your walking. Most people settle into a habitual pace when they walk.

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