By Youssef Ziedan
Set within the fifth century advert, Azazeel is the exquisitely crafted story of a Coptic monk's trip from higher Egypt to Alexandria after which Syria in the course of a time of huge upheaval within the early Church. Winner of the Arab Booker Prize, Azazeel highlights how the background of our civilization has been warped by way of greed and avarice given that its very beginnings and the way one man's ideals are challenged not just by means of the malice of the satan, yet through the corruption with the early Church. In sparse and sometimes glowing prose that displays the arid great thing about the Syrian panorama, Azazeel is a unique that forces us to re-think a lot of our long-held ideals and invitations us to rediscover a misplaced background.
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Extra resources for Azazeel
Speed Bumps and Rhythmic Phrases A composition traveling along at a set meter and tempo can get boring or even exhausting after awhile. That’s another reason why it’s a good idea to break up the rhythmic landscape with a few bumps along the way — to keep things interesting or keep your listener awake. Beethoven’s “Ode to Joy” offers a familiar example of varying the rhythmic landscape in order to throw things off a little bit (Figure 4-3). Ode to Joy # & 44 œ œ œ œ 1 Figure 4-3: Beethoven’s “Ode to Joy” clips along regularly until you get to the end of the twelfth measure.
Bear with us for one more example as we now syncopate the original melody (Figure 4-10). Chapter 4: Rhythm and Mood Figure 4-10: “Shave and a Haircut” — syncopated and front phrased. 4 & 4 ‰ Jœ œ œ œ bœ œ œ œ ‰ œ ‰ œJ J Œ Syncopation Notice in Figure 4-10 how the “syllabic emphasis” is not where the strong natural beats are. Syncopation is basically about putting the emphasis on the wrong syllable. That doesn’t mean it’s “wrong,” though. Syncopation just makes things a bit different, surprising, and spicy.
It could be anything from the rhythm of a washing machine to the sound of your breathing or heartbeat. Maybe your engine makes an interesting Chapter 4: Rhythm and Mood rhythm when it starts in the morning. Maybe your dog barks in a rhythmic pattern. Maybe someone is hammering down the street or your door or mailbox makes a rhythmic creaking noise. Whatever it is, if it has rhythm, you can use it in your composition. 2. Notice the tempo of your walking. Most people settle into a habitual pace when they walk.