Download Audio Postproduction for Film and Video (Sublinhado) by Jay Rose PDF

By Jay Rose

New to this edition:
* find out how many Hollywood techniques--previously impractical on video--can aid remedy difficulties on smaller productions
* multiplied cookbook recipes section
* Technically up-to-date throughout
Make your soundtracks pretty much as good as your photographs with this compendium audio recommendations that may be tailored to machine submit. focusing on sound after the shoot, this e-book positive aspects many sensible examples, cookbook recipes, and tutorials. Audio thought, whilst useful, is gifted in simple English with lots of visible analogies.
FAQs, complete reasons, and from-the-trenches advice tackle the full diversity of strategies from wiring and to trying out the ultimate combine. The one-hour audio CD positive aspects platform-independent diagnostics, demonstrations, and instructional tracks. rookies will easy methods to increase their soundtrack--even after the actors have long gone domestic. skilled manufacturers will easy methods to remedy technical and artistic difficulties quickly.
You'll get recipes and step by step directions on how to:
* construct an effective and trustworthy audio publish setup
* plan and funds an outstanding soundtrack
* get sound into your NLE with out wasting caliber or sync
* edit voices and music
* checklist Foley and ADR
* locate track and use it effectively
* locate and create your individual sound effects
* form sounds with equalization, reverb, noise aid, and more
* produce the ultimate mix
* try out the ultimate product for varied media
Please stopover at the author's site for added assets:
* renowned DV journal columnist Jay Rose makes it effortless to enhance your soundtrack
* contains "cookbook recipes"--step-by-step suggestions for universal audio processing operations
* One-hour audio CD comprises platform-independent diagnostics, demonstrations, and educational tracks to load into your NLE

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Extra resources for Audio Postproduction for Film and Video (Sublinhado)

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The ear is good at tracking desired sounds even when they’re obscured by noise, so dithering can effectively extend the dynamic range. Dithering can also be noise-shaped, making the random signal stronger at frequencies where the ear is less sensitive. Its randomness continues to hide distortion, but we don’t hear the noise as much. Gotcha What signal to noise? When measuring s/n in the analog world, it’s customary to refer to a nominal signal level, typically 0 VU. That’s because while analog circuits start distorting once you reach that level, you can still record a louder signal.

In practice, as analog signals get progressively worse, you hear the changes and know something’s wrong. 23 CHAPTER 1 Vibrations to Volts to Bits Analog Degrades with Each Process; Digital Doesn’t Have To Even the best analog equipment adds a tiny amount of noise and distortion. Knowledgeable engineers strive for as simple an analog signal chain as possible, and avoid extra tape generations except for special effects. But good digital recorders don’t degrade digital input signals at all, and good digital processors do so little damage that you’d have to string together hundreds before you’d notice anything.

If you’re going to be mixing music or theatrical tracks with a lot of bass, be aware that low frequencies can be hard to control even when speech and higher frequencies are being absorbed nicely. The common solution for this is a bass trap, a fairly large kind of absorber usually mounted in the corners of a room. The best ones are designed for specific frequencies and are built into the space; but if you’re hearing boominess, you may be able to get by with triangular foam ones costing about $60 each.

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