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By Ray Siemens, Susan Schreibman

This Companion deals an intensive exam of the way new applied sciences are altering the character of literary stories, from scholarly enhancing and literary feedback, to interactive fiction and immersive environments.

  • A whole assessment exploring the appliance of computing in literary reviews
  • Includes the seminal writings from the sphere
  • Focuses on equipment and views, new genres, formatting matters, and top practices for electronic protection
  • Explores the hot genres of hypertext literature, installations, gaming, and internet blogs
  • The Appendix serves as an annotated bibliography

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Fukuyama, F. (1989). ’’ The National Interest 16 (Summer): 3–18. Fuller, M. (2005). Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge, MA: MIT Press. Gitelman, L. (2006). Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press. —— , and G. B. ) (2003). New Media, 1740–1915. Cambridge, MA: MIT Press. Gonza´lez, J. (2000). ’’ In B. E. Kolko, et al. ). Race in Cyberspace. New York and London: Routledge, pp. 27–50. Institute for Multimedia Literacy.

In W. Kittler and G. ). Franz Kafka: Schriftverkehr. Freiburg: Rombach, pp. 75–163. Krapp, P. (2004). De´ja` Vu: Aberrations of Cultural Memory. Minneapolis: University of Minnesota Press. —— (2006). ’’ In W. Chun and T. ). Old Media, New Media: A History and Theory Reader. London: Routledge, pp. 357–71. Lanier, Jaron (2006). ’’ Edge. Edge Foundation, Inc. 30 May. html>. Accessed September 9, 2006. Le´vi-Strauss, C. (1963). ’’ In Structural Anthropology (C. Jacobson and B. G. ). New York: Basic Books, pp.

1989). Control Through Communication: The Rise of System in American Management. Baltimore: Johns Hopkins University Press. Zuboff, S. (1988). In the Age of the Smart Machine: The Future of Work and Power. New York: Basic Books. 2013 1:38pm Compositor Name: ARaju 2 ePhilology: When the Books Talk to Their Readers 1 Gregory Crane, David Bamman, and Alison Jones Writing, Phaedrus, has this strange quality, and is very like painting; for the creatures of painting stand like living beings, but if one asks them a question, they preserve a solemn silence.

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